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自学考试英美文学选读国考真题

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自学考试英美文学选读国考真题

【免费定制个人学历提升方案和复习资料: 】自学考试有效期是八年。教育部曾经有过规定:单科成绩八年有效。意思是说,自考生如果在八年内没有获得所报考专业的毕业文凭的话,其超过八年期限的单科成绩就会作废,作废成绩的科目需要重新报考参加考试。教育部将是否操作此规定的选择权给予了各省。由于各地的实际情况不同,有些省份最终选择了实行自考单科成绩八年有效的规定,而有些省份则没有实行。相对远程教育、函授等学历成绩有时间限制,自考成绩永久有效无疑是它的优势之一。自学考试自考成绩有效期下方免费学历提升方案介绍: 2020年10月自考00844日语阅读(二)真题试卷 格式:PDF大小:661.52KB 2014年10月自考02141计算机网络技术真题试卷 格式:PDF大小:382.17KB 2015年10月自考00604英美文学选读真题试卷 格式:PDF大小:489.38KB 2019年10月自考06089劳动关系与劳动法真题试卷 格式:PDF大小:270.31KB自考/成考考试有疑问、不知道自考/成考考点内容、不清楚自考/成考考试当地政策,点击底部咨询猎考网,免费获取个人学历提升方案:

【免费定制个人学历提升方案和复习资料: 】成人自考大专属于非全日制学历,也是第二学历,成人自考大专是自考学历层次之一,是成人教育学历的一种,但成人自考大专生和普通高等学校大专毕业生享有同等毕业待遇。成人自考大专不是全日制,“全日制”是统招的说法,只适用于计划内招生的。全日制指学习时间上的一种分类,全日在校学习的学校,称为全日制学校,学生全天在校上课,以教学为主。自考是高等教育自学考试,是个人自学和国家考试相结合的高等教育形式,是我国社会主义高等教育体系的重要组成部分。自考属于我国高等教育的一种,针对在职的社会人员提升学历的的一种渠道。成人自考在学历层次上属于第二学历,第一学历原本是指由各省市第一教育局颁发的学历,现今通常是指国民教育系列的普通全日制教育的最高学历。第二学历指的是非统招学习形式获取的学历,即通过自考、成人高考、网络教育、国家开放大学这几种方式获得的学历。成人自考大专学历下方免费学历提升方案介绍: 2016年10月自考00604英美文学选读真题试卷 格式:PDF大小:447.76KB 2019年04月自考00609高级日语(一)真题试卷 格式:PDF大小:510.38KB自考/成考考试有疑问、不知道自考/成考考点内容、不清楚自考/成考考试当地政策,点击底部咨询猎考网,免费获取个人学历提升方案:

【免费定制个人学历提升方案和复习资料: 】自考本科需要考几门?自考本科需要考14到16门课程,不同的专业,考试科目有所不同,具体课程是各个专业里面的一个科目的知识,每一个专业要考的科目都是不一样的。自考本科考试科目可分为公共课、专业课、选修课、实践课这几大部分。自考本科公共科目为每个专业的必考科目,比如马克思主义基本原理概论、中国近代史纲要、英语二等,而专业课的科目则需要根据所报考的专业来划分,比如法学专业需要考民法、刑法、宪法、合同法、国际法、行政法、民事诉讼法等。自考本科课程介绍:1.公共课公共课是指自考本科中任何专业或部分同类专业的应考者都必须学习的课程。如自考本科的《中国近代史纲要》、《马克思主义基本概论》、《英语二》等。公共课虽然不一定同所学专业有直接联系,但它是培养德智体全面发展人才,为进一步学习提供方法论的不可缺少的课程。2.自考本科基础课基础课非常好理解,是该专业考生要学习的基础理论、基本知识和基本技能的课程,是为了应考者掌握专业的知识,学习专业的科学技术,发展我们有关能力打下基础。3.自考本科选修课自考本科选修课指某一专业的应考者可根据自己的需要及受教育程度的限制,有选择地学习的课程。但这种选择是有限制的。即只能在专业考试计划规定的课程内选择。如汉语言文学专业的选修课在六门课程中选考2门。另外,对于年龄满35岁,英语基础比较薄弱的考生,可以选择三门选修课程来免考自考本科公共课中的英语课程。4.自考本科实践课自考本科实践课是针对某一门课程设置的实验或动手能力,一般是注重实践的专业才会开设,为了让考生的理论知识与实操技能能够双向发展。需要各位自考本科考生动手操作,所以需要各位考生对专业知识了解十分透彻,并且能够熟练运用。但是实践课程不是每一门专业都有要求的,想知道自己所报考的专业有没有实践环节考核的话,大家可以查看自己的专业考试计划表进行查询。5.自考本科毕业论文毕业论文需要考生写跟考生所考的专业相关的论文,自考本科论文是有论文答辩环节的。6.自考本科学位课和学士学位外语如果考生需要考学士学位,那么需要通过学士学位外语的考试,一般都是考学位英语。另外,必须将学位课(也是你自考专业的专业课程中的规定的几门课程)的平均分考过70分,所有课程不能低于65分。自考本科怎么知道下次考什么科目?在举行自考本科之前,省教育考试院都会先发布本次自考本科的报名通知,报名通知中通常会包含本次自考本科的考试课程安排表,就在本次自考本科的报名通知的附件中,或者省教育考试院会单独发布本次自考本科的考试课程安排通知。自考本科生们要关注省教育考试院的自考本科通知,等本次自考本科的报名通知或本次自考本科的考试课程安排通知发布后,考生们在通知中就可以看到下次自考本科考什么科目了!举例说明:下图是湖南省高等教育自学考试自主服务系统,这是湖南自考报名入口官网,在这上面,自考本科生可以看到湖南的自考本科政策及相关通知、开考课程教材查询、专业介绍等信息。点击图中的【自考政策及相关通知】,你就会看到历年来湖南自考的政策及相关通知,如下图。在上图这些通知中,排在第十一位的通知:《关于印发2022年10月全省高等教育自学考试课程安排及教材目录的通知》,里面就有湖南2022年10月自考考试科目安排,自考生们点击即可查看下次自考本科考什么科目了。其他省份也是这样,找到自考生报考省份的自考官网,自考官网会公布历年来该省份自考的政策及相关通知,自考生在其中找到下次自考本科的报名通知或下次自考本科考试课程安排通知,点击查看,即可知道下次自考本科考什么科目了。自考本科一次可以报考几门科目?自考本科一次可以报考四门科目。自考本科一年最多可以考4次,每次考试时间是两天。在报考课程时,专业课和基础课要交叉间错的报。专业课每一年只有一次或两次考试机会,公共课有两次或四次考试机会。自考本科的次数有限制吗?自学课程的数量没有限制。如果这次不及格,下次可以继续报考。一次四门自考本科,考生抓紧时间学习,特别是在考前两周,花更多的时间和心思认真备考,力争顺利通过考试。参加自考本科的学生,经过系统学习、毕业论文答辩和学位英语考核,符合学位申请条件的,可以申请成人高等教育本科毕业生。自考本科科目自考本科课程下方免费学历提升方案介绍: 2016年04月自考00456教育科学研究方法(二)真题试卷 格式:PDF大小:234.38KB 2016年04月自考00604英美文学选读真题试卷 格式:PDF大小:444.96KB自考/成考考试有疑问、不知道自考/成考考点内容、不清楚自考/成考考试当地政策,点击底部咨询猎考网,免费获取个人学历提升方案:

英美文学选读自学考试真题

给你了,在消息里! 全国自考2008年7月英美文学选读试题 全国自考2008年7月英美文学选读试题课程代码:00604请将答案填在答题纸相应的位置上(全部题目用英文作答)PART ONE(40 POINTS)I. Multiple Choice (40 points in all,1 for each)Select from the four choices of each item the one that b...... 全国2008年4月自考英美文学选读试题答案 全国2008年4月自考英美文学选读试题答案1-5 BABDB 6-10 DDBAC 11-15 BCADA 16-20 CBBDA 21-25 ACBAB 26-30 ACDDD 31-35 BABCB 36-40 DCDAC...... 全国2008年4月历年自学考试英美文学选读试题 全国2008年4月历年自学考试英美文学选读试题课程代码:00604I. Multiple Choice(40 points in all, 1for each)Select from the four choices of each item the one that best answer the question or completes the statement. ...... 英美文学选读试卷答案2007年4月自考 英美文学选读试卷答案2007年4月自考...... 2007年4月自考英美文学选读试题答案 2007年4月自考英美文学选读试题答案(课程代码 0604)I . Multiple Choice (40 points in all, 1 for each)l.B 2. A 3.C 4.B 5. A 6. C 7. ...... 2007年4月自学考试自考全国英美文学选读历年试卷试题真题 全国2007年4月高等教育自学考试英美文学选读试题课程代码:00604请将答案填在答题纸相应位置上Ⅰ. Multiple Choice (40 points in all, 1 for each)Select from the four choices of each item the one that best answers the question...... 2005年4月自考英美文学选读试题答案 2005年4月自考英美文学选读试题答案 ...... 全国2005年4月高等教育自学考试英美文学选读试题历年试卷 全国2005年4月高等教育自学考试英美文学选读试题课程代码:00604全部题目用英文作答,并将答案写在答题纸相应位置上,否则不计分PART ONE (40 POINTS)I. Multiple Choice (40 points in all, 1 for each)Select from the four choices of ...... 全国2004年7月高等教育自学考试英美文学选读试题历年试卷 全国2004年7月高等教育自学考试英美文学选读试题课程代码:00604请将答案填在答题纸相应位置上Ⅰ. Match authors in Column A with their literary works in Column B. Please write your answer on

今天教务老师给大家收集整理了英语写作自考本科教材,0603英语写作自考本科真题的相关问题解答,还有免费的自考历年真题及自考复习重点资料下载哦,以下是全国我们为自考生们整理的一些回答,希望对你考试有帮助!自考本科英语专业要考哪些科目?英语自考本科的开考科目因所在省份及主考院校的不同也有所不同,下面为您列出山东大学英语自考本科段的所有课目以及教材,供您参考:英汉翻译教程,外语教学与研究出版社,1999年版,庄绎传。高级英语高级英语,外语教学与研究出版社,2000年版,王家湘,张中载。英语写作,辽宁大学出版社,1999年版,杨俊峰。英美文学选读,《英美文学选读》外语教学与研究出版社,1999年版,张伯香。综合英语综合英语外语教学与研究出版社,2000年版,徐克容。英语语法,《现代英语语法》外语教学与研究出版社,2000年版,李基安。英语词汇学,《英语词汇学》外语教学与研究出版社,1999年版,张维友。中国近现代史纲要,《中国近现代史纲要》2008年版,王顺生,李捷。马克思主义基本原理概论,《马克思主义基本原理概论》,2008年版,卫兴华,赵家祥。拓展内容:自考本科:是高等教育自学考试本科的简称,自考本科是我国基本高等教育制度之一,成绩合格后由主考学校和高等教育自学考试委员会联合颁发大学毕业证书。国家承认学历,学信网可查,符合条件者由主考大学授予学士学位。获得自考本科学历,根据国家教育部1988年15号文件,享受普通高等教育毕业证书相同的法律效力。社会含金量略低于普通高等教育本科毕业证书。参考资料:百度百科词条The following passage is incomplete with one paragraph missing. Study the passage carefully and write the missing paragraph missing paragraph of about 100 words. Make sure that the tone and vocabulary you use are in unity with the passage provided.II. 撰写大纲Write an outline Read the following passage carefully and compose a “sentence outline” for it. Sometimes the passage is from the textbook.III.文章写作Composition 从考察的内容看,考察的核心是英语的篇章结构,无论是补齐段落还是撰写大纲都不是孤立进行的,补齐的段落要和整篇文章衔接,做到整体如一;撰写的大纲是对篇章结构的直接考察,即考察考生从文章中抽象出结构的能力;文章写作考察整篇文章写作的综合能力。从考试形式上看,既考察学生句子,段落写作能力,也考察篇章写作能力。补齐对话考察段落写作,撰写提纲考察句子写作,文章写作考察篇章写作能力。因此,对《英语写作》的学习要牢牢把握一条红线,那就是要熟悉英语文章的篇章结构。具体的解题技巧我们将在课程讲解后给大家做详细的指导。三、《英语写作》课程讲解写作格式要求 有一句话,大家可能都知道,叫“文如其人”,英文是“The style is the man himself”。从一个人的行文就能看出他的品德,品性。整洁的文风不仅是对读者的尊重,更是对自己的尊重。这从一个侧面说明了写作格式的重要性,它是写作的“面子”,马虎不的。一些考生认为,作文注重内容,不注重形式。这是一种误解,干净整洁的文章使人耳目一新,急于阅读,使人对作者产生一种办事认真,思路清晰的第一印象。相反,杂乱无章,急就章式的文字使人觉得作者思维混乱,不知所云。设想一下在阅卷时间紧迫,任务繁重的情况下,给阅卷人留下良好的第一印象是多么的重要啊! 另外,严格的写作格式要求是英语写作不可分割的一部分,学习英语写作就必须遵守英语写作的规范,否则就不成其为英语写作。总体上讲,英语写作格式要给人留下整洁,清晰的印象。具体写作时,要注意以下几点:1. 页边距2. 题目位置:第一行居中。3. 题目中单词的大小写 每个单词的第一个字母要大写,但是下列除外: 冠词,少于四个字母的介词,并列连词如and, or, but, nor, for, to 等。 题目的第一个单词必须大写。4. 题目中的标点题目可以是问句;论文题目,直接引要加引号;书名要用斜体。5. 段落缩进每段第一行要缩进4-5个字母;练习时,隔行写便于教师批阅。考试时,不必要。标点符号后要空格。写作格式要求主要是一个习惯养成问题,考生在写作时要多加注意,养成习惯。撰写大纲的基本要求撰写大纲是英语写作的重要一步,也是英语写作考试重点考察的内容之一。因此,考生应该给以足够的重视。大纲指的是一篇文章的总体结构。撰写大纲能力的高低反应考生总体把握英语篇章能力的强弱。在《英语写作》考试中,它有两种表现形式:一是根据文章写出其大纲;一是根据题目编写大纲,构思文章。前者是考试直接考察的,既考察大纲的形式也考察其内容。后者是间接考察的,即在文章写作一题中,考生在构思时所用的大纲。它是写好一篇文章的前提和基础。这里我们着重讲解撰写大纲的形式要求,而对如何针对文章撰写大纲的考试技巧和写作过程中的大纲撰写将在后面的章节中加以详细论述。撰写英语大纲要遵循以下基本原则1. 部分若含有分项,则分项不能少于两个。即有“1”必有“2”,有“A”必有“B”,依次类推。处于同一地位的分项要具有同样的重要性,安排要合乎逻辑。分项要用相同的语法结构来表达。2. 不要将话题大纲和句子大纲相混淆。英语大纲有两种形式:话题大纲和句子大纲。顾名思义,话题大纲由名词短语,动名词短语,不定式短语等构成。句子大纲由完整的句子构成。两者泾渭分明,不得混用。3. 话题大纲的第一个字母要大写,短语后不必点句号;句子大纲要遵循英语句子的标点规范。但是在序列号中每一个罗马字母,大写字母,阿拉伯数字或是小写字母后要加句号,加了括号后不再加句号。4. 大纲序列号如下:I.罗马字母A.大写字母1.阿拉伯数字a.小写字母1) 带括号的阿拉伯数字a) 带括号的小写字母5.大纲实例话题大纲:I. Kindness to MumA. Warm languageB. Help with houseworkII. Kindness to childrenA. My own experienceB. His talk to my classmateIII. Kindness to our neighboursA. His help of the Wangs1. Quilts2. Dinner3. ConsolidationB. His help of the Changs1. Renting a car for the troubled2. Borrowing money for them句子大纲I. Father loves mother most kindly.A. He never hurts Mom with harsh wordsB. He tries his best to help Mom with the homework.II. Father reasons with us children when we do things wrong.A. He reasoned with me when I took his favorite record of music out to show off and damaged itB. He reasoned with my classmate Hong when we quarreled.III. Father kept helping our neighbors out of trouble.A. He helped the Wangs when their house caught fire.1. He gave them our new quilts.2. He invited them to eat in our home.3. He comforted them.B. He helped the Changs when their baby was terribly ill.1. He stopped a car and went to the hospital with the baby and mother.2. He borrowed money from friends to cover the hospital expenses.看一下这个网站吧,有你想要的资料的.自考英语专科资料导航 :?boardID=2&ID=862&page=1自考英语本科资料导航:?boardID=2&ID=861&page=1参考资料:英语易bbs.yingyuyi.com我也正好在找英语写作方面的资料,觉得这个讲的挺好,给你帖下他那里的第一页。如果你觉得好的话点这个网址看看后面的内容吧。自考《英语写作》开头和结尾万能公式及句型1. 开头万能公式一:名人名言有人问了,“我没有记住名言,怎么办?尤其是英语名言?”,很好办:编!原理:我们看到的东西很多都是创造出来的,包括我们欣赏的文章也是,所以尽管编,但是一定要听起来很有道理呦!而且没准将来我们就是名人呢!对吧?经典句型:A proverb says, “ You are only young once.” (适用于已记住的名言)It goes without saying that we cannot be young forever. (适用于自编名言)更多经典句型:As everyone knows, No one can deny that…2.开头万能公式二:数字统计原理:要想更有说服力,就应该用实际的数字来说明。原则上在议论文当中不应该出现虚假数字的,可是在考试的时候哪管那三七二十一,但编无妨,只要我有东西写就万事大吉了。所以不妨试用下面的句型:According to a recent survey, about 78.9% of the college students wanted to further their study after their graduation.看起来这个数字文邹邹的,其实都是编造出来的,下面随便几个题目我们都可以这样编造:Honesty根据最近的一项统计调查显示,大学生向老师请假的理由当中78%都是假的。Travel by Bike根据最近的一项统计调查显示,85%的人在近距离旅行的时候首选的交通工具是自行车。Youth根据最近的一项统计调查显示,在某个大学,学生的课余时间的70%都是在休闲娱乐。Five-day Work Week Better than Six-day Work?根据最近的一项统计调查显示,98%的人同意每周五天工作日。更多句型:A recent statistics shows that …你只管做 管它对不对 会打多少分 那是老师的问题.你要做的是准备好.然后自信的迎接考试.我也是读英语的.我现在在学法语.因为我喜欢法国.法语刚刚学起来会很难 但到最后很容易.日语相反.还有如果你只想过二外 其他的不管,那学日语.这科有那么难吗?我都没看书就过了。自考/成考有疑问、不知道自考/成考考点内容、不清楚当地自考/成考政策,点击底部咨询官网老师,免费领取复习资料:

全部题目用英文作答,请将答案填在答题纸相应位置上 PART ONE (40 POINTS)I. Multiple Choice(40 points in all, 1 for each)Select from the four choices of each item the one that best answers the question or completes the statement. Mark your choice and write the corresponding letter A, B, C or D on the answer sheet.1. All of Charles Dickens’ works, with the exception of _________, present a criticism of the more complicated and yet most fundamental social institutions and morals of the Victorian England.A. Bleak House B. Hard TimesC. Great ExpectationsD. A Tale of Two Cities2. From ____________ on, the tragic sense becomes the keynote of Thomas Hardy’s novels, the conflict between the traditional and the moden is brought to the center of the stage.A. The Return of the NativeB. The Mayor of CasterbridgeC. Tess of the D’UrbervillesD. Jude the Obscure3. George Bernard Shaw’s play ____________ shows his almost nihilistic bitterness on the subjects of the cruelty and madness of World War I and the aimlessness and disillusion of the young.A. Getting Married B. Too True to Be GoodC. Widowers’ HousesD. The Apple Cart4. It was only after the publication of ____________ that D.H. Lawrence was recognized as aprominent novelist.A. The Trespasser B. The White PeacockC. Sons and Lovers D. The Rainbow5. T. S. Eliot’s poem ____________ is heavily indebted to James Joyce in terms of the stream- of -consciousness technique, also a prelude to The Waste Land.A. “Prufrock” B. “Gerontion”C. The Hollow Men D. Lyrical Ballads6. Charlotte Brontё’s ____________ is noted for its sharp criticism of the existing society, e. g. the religious hypocrisy of charity institutions.A. The Professor B. Wuthering HeightsC. Villette D. Jane Eyre7. Shelley’s greatest achievement is his four - act poetic drama ____________ , which is an ex- ultant work in praise of humankind’s potential.A. Adonais B. Queen MabC. Prometheus Unbound D. Kubla Khan8. Among the Romantic poets ____________ is regarded as a “worshipper of nature”.A. William Blake B. William WordsworthC. George Gordon Byron D. John Keats9. The most perfect example of the verse drama after Greek style in English is John Milton’s ____________.A. Paradise Lost B. Paradise RegainedC. Samson AgonistesD. Areopagitica10. The major theme of Jane Austen’s novels is____________.A. love and money B. money and social statusC. social status and marriage D. love and marriage11. T. S. Eliot’s most important single poem ____________ has been hailed as a landmark and a model of the 20th-century English poetry.A. The Hollow Men B. The Waste LandC. Murder in the CathedralD. Ash Wednesday12. According to the subjects, William Wordsworth’s short poems can be classified into two groups, poems about____________.A. nature and human life B. happiness and childhoodC. symbolism and imagination D. nature and commonlife13. Among the following writers ____________ is considered to be the best -known English dramatist since Shakespeare.A. Oscar Wilde B. John GalsworthyC. W. B. Yeats D. George Bernard Shaw14. William Blake’s ____________ composed during the climax of the French Revolution playsthe double role both as a satire and a revolutionary prophecy.A. The Book of Urizen B. The Book of LosC. Poetical Sketches D. Marriage of Heaven and Hell15. Charles Dickens’ works are characterized by a mingling of ____________ and pathos.A. metaphor B. passionC. satire D. humor16. Daniel Defoe describes ____________ as a typical English middle -class man of the eigh- teenth century, the very prototype of the empire builder, the pioneer colonist.A. Robinson Crusoe B. Moll FlandersC. Gulliver D. Tom Jones17. In Thomas Hardy’s Wessex novels, there is an apparent ____________ touch in his de- scription of the simple and beautiful though primitive rural life.A. nostalgic B. tragicC. romantic D. ironic18. Of all the eighteenth - century novelists ____________ was the first to set out, both in the-ory and practice, to write specially a “comic epic in prose”, the first to give the modern novel its structure and style.

今天教务老师给大家收集整理了自考03709新教材,03709自考真题2023的相关问题解答,还有免费的自考历年真题及自考复习重点资料下载哦,以下是全国我们为自考生们整理的一些回答,希望对你考试有帮助!英语专业自考本科段教材专业代码:01C1502专业名称:英语课程代码课程名称教材名称出版社版本作者00087英语翻译英汉翻译教程外语教学与研究出版社1999年版庄绎传00600高级英语高级英语外语教学与研究出版社2000年版王家湘张中载00603英语写作英语写作辽宁大学出版社1999年版杨俊峰00604英美文学选读英美文学选读外语教学与研究出版社1999年版张伯香00795综合英语综合英语外语教学与研究出版社2000年版徐克容00831英语语法现代英语语法外语教学与研究出版社2000年版李基安00832英语词汇学英语词汇学外语教学与研究出版社1999年版张维友00839第二外语大学俄语简明教程高等教育出版社1995年版张宝岑钱晓惠00840第二外语初级日语\初级日语教与学北京大学出版社2006年版\2007年版赵华敏00841第二外语简明法语教程商务印书馆1990/1年版孙辉00842第二外语新编大学德语外语教学与研究出版社2002年版朱建华03708中国近现代史纲要中国近现代史纲要2008年版王顺生李捷03709马克思主义基本原理概论马克思主义基本原理概论2008年版卫兴华赵家祥10014水平考试水平考试自学辅导航空工业出版社2006年版余志远10015水平考试英语听力上、下册外语教学与研究出版社1999年版何其莘王敏金利民夏玉和10016水平考试英语口语自学教程外语教学与研究出版社95年版96年版余志远10017欧洲文化入门欧洲文化入门外语教学与研究出版社1992年版王佐良祝珏李品伟高厚10064口译与听力现代汉译英口译教程外语教学与研究出版社2004年版吴冰10065口译与听力英语高级听力外语教学与研究出版社1992年版何其莘王敏金利民俞涓(高分)求最新自考英语本科教材现代英语语法-自学考试指定教材同步配套题解(天一自考通)作者:张冬梅出版社:光明日报出版社出版日期:2005年9月页数:427装帧:平装开本:32版次:2商品编号:1167060ISBN:780145450建议你还是去学生书店买吧,有打折的。自考办没有优惠,网上可信度还不是很高。考试内容肯定都来自书上的。课程代码课程名称教材名称出版社版本作者00087英语翻译英汉翻译教程外语教学与研究出版社1999年版庄绎传00600高级英语高级英语外语教学与研究出版社2000年版王家湘张中载00603英语写作英语写作辽宁大学出版社1999年版杨俊峰00604英美文学选读英美文学选读外语教学与研究出版社1999年版张伯香00795综合英语综合英语外语教学与研究出版社2000年版徐克容00831英语语法现代英语语法外语教学与研究出版社2000年版李基安00832英语词汇学英语词汇学外语教学与研究出版社1999年版张维友00839第二外语大学俄语简明教程高等教育出版社1995年版张宝岑钱晓惠00840第二外语初级日语\初级日语教与学北京大学出版社2006年版\2007年版赵华敏00841第二外语简明法语教程商务印书馆1990/1年版孙辉00842第二外语新编大学德语外语教学与研究出版社2002年版朱建华03708中国近现代史纲要中国近现代史纲要2008年版王顺生李捷03709马克思主义基本原理概论马克思主义基本原理概论2008年版卫兴华赵家祥10014水平考试水平考试自学辅导航空工业出版社2006年版余志远10015水平考试英语听力上、下册外语教学与研究出版社1999年版何其莘王敏金利民夏玉和10016水平考试英语口语自学教程外语教学与研究出版社95年版96年版余志远10017欧洲文化入门欧洲文化入门外语教学与研究出版社1992年版王佐良祝珏李品伟高厚10064口译与听力现代汉译英口译教程外语教学与研究出版社2004年版吴冰10065口译与听力英语高级听力外语教学与研究出版社1992年版何其莘王敏金利民俞涓谁能给我高中英语新教材的新增单词表?我要复读,但是下届是新教材啊你到 上去找找自考会计制度设计的新教材和老教材有什么区别?差别有点大,因为教材是8年变化一次,因为8年里发生太多的事了!我也10月25日 考试,你不用慌,赶快换成模拟题做吧!不要看老教材了!自考/成考有疑问、不知道自考/成考考点内容、不清楚当地自考/成考政策,点击底部咨询官网老师,免费领取复习资料:

自考英美文学选读真题

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下篇:美国文学 第一章美国浪漫主义时期 一、美国浪漫主义时期概述 Ⅰ。本章学习目的和要求 通过本章学习,了解19世纪初期至中叶美国文学产生的历史、文化背景;认识该时期文学创作的基本待征、基本主张,及其对同时代和后期美国文学的影响;了解该时期主要作家的文学创作生涯、创作思想、艺术特色及其代表作品的主题思想、人物刻画、语言风格等;同时结合注释,读懂所选作品并了解其思想内容和艺术特色,培养理解和欣赏文学作品的能力。 Ⅱ。本章重点及难点: 1.浪漫主义时期美国文学的特点 2.主要作家的创作思想、艺术特色及其代表作品的主题结构、人物刻画、语言风格、思想意义。 3.分析讨论选读作品 Ⅲ。本章考核知识点和考核要求: 1.美国浪漫主义时期概述 (1)“识记”内容:美国浪漫主义文学产生的社会历史及文化背景 (2)“领会”内容: 美国浪漫主义在文学上的表现 a.欧洲浪漫主义文学的影响 b.美国本土文学的崛起及其待证 (3)“应用”内容:清教主义、超验主义、象征主义、自由诗等名词的解释 2.美国浪漫主义时期的主要作家 A.华盛顿。欧文 1.一般识记:欧文的生平及创作主涯 2.识记:《纽约外史》《见闻札记》 3.领会:欧文的创作领域、创作思想,及其作品的艺术风格 4.应用:选读《瑞普。凡。温可尔》的主题及其艺术特色 B.拉尔夫.华尔多.爱默生 1.一般识记:爱默生的生平及创作生涯 2.识记:爱默生的超验主义思想 3.领会: (1)爱默生的散文:《论自然》《论自助》《论美国学者》等 (2)爱默生与梭罗:梭罗的超验主义思想和他的《沃尔登》 4. 应用:《论自然》节选:爱默生的基本哲 学思想及自然观 C.纳撒尼尔。霍桑 1.一般识记:霍桑的生平及创作主涯 2.识记:霍桑的长短篇小说 3.领会: (1)《红字》的主题、心理描写、象征手法和、小说结构 (2)霍桑的清教主义思想及加尔文教条中的“原罪”对霍桑的影响(人性本恶的观点) (3)霍桑对浪漫主义小说的贡献 4.应用:选读《小伙子布朗》的主题结构、象征手法及语言特色 D.华尔特。惠特曼 1.一般识记:惠特曼的生平及其创作生涯 2.识记:惠特曼的民主思想 3.领会: (1)惠特曼的《草叶集》的主创意图、思想感情及诗体形式、语言风格 (2)惠特曼的个人主义 4.应用:选读《草叶集》诗选:“一个孩子的成长”、“涉水的骑兵”、“自己之歌”的主题结构、诗歌的艺术特色、语言风格 E.赫尔曼。麦尔维尔 1.一般识记:麦尔维尔的生平及创作生涯 2.识记:麦尔维尔的早期作品:《玛地》《雷得本》《白外衣》,后期作品《皮埃尔》《的化装表演》《比利伯德》等 3.领会:《白鲸》的 (1)主题:表层及深层意义 (2)小说结构:浪漫主义和现实主义的统一 (3)象征手法和寓言的运用 (4)语言特色 4.应用:选读《白鲸》最后一章的节选:主题思想、人物刻画、象征手法、语言特色 Chapter l The Romantic Period (一)“识记”内容: 1.The origin of Romantic American literature The Romantic Period, one of the most important periods in thehistory of American literature, stretches from the end of the 18th century to the outbreak of the Civil War. It started with the publication of Washington Irving’s The Sketch Book and ended with Whitman’s Leaves of Grass. 2.The American Renaissance or New England Renaissance is a period of the great flowering of American literature, from the i830s roughly until the end of the American Civil War. It came of age as an expression of a national spirit. One of the most important influences in the period was that of the Transcendentalists, including Ralph Waldo Emerson, Henry David Thoreau. The Transcendentalists contributed to the founding of a new national culture based on native elements. Apart from the Transcendentalists, there emerged during this period great imaginative writers ——Nathaniel Hawthorne, Herman Melville, and Walt Whitman——whose novels and poetry left a permanent imprint on American literature. 3.Its social historical and cultural background The development of the American society nurtured "the literature of a great nation." America was flourishing into a politically, economically and culturally independent country. Historically, it was the time of westward expansion in America economically, the whole nation was experiencing an industrial transformation. Politically, democracy and equa1ity became the ideal of the new nation, and the two-party system came into being. Worthy of mention is the literary and cultural life of the country. With the founding of the American Independent Government, the nation felt an urge to have its own literary expression, to make known its new experience that other nations did not have: the early Puritan settlement, the confrontation with the Indians, the frontiersmen''''''''s life, and the wild west. Besides, the nation’s literary milieu was ready for the Romantic movement as we11. Thus, with a strong sense of optimism, a spectacular outburst of romantic feeling was brought about in the first ha1f of the 19th century. 4.Major writers of this period There emerged a great host of men of letters during this period, among whom the better-known are poets such as Philip Freneau, William Cullen Bryant, Henry Wordsworth Long Fellow, James Russel Lowell, John Greenleaf Whitter, Edgar Ellen Poe, and, especially, Walt Whitman, whose Leaves Of Grass established him as the most popular American poet of the 19th century. The fiction of the American Romantic period is an original and diverse body of work. It ranges from the comic fables of Washington Irving to the The Gothic tales of Edgar Allen Poe, from the frontier adventures of James Fenimore Cooper to the narrative quests of Herman Melville, from the psycho1ogical romances of Nathaniel Hawthorne to the social realism of Rebecca Harding Davis. (二)领会内容 1.The impact of European Romanticism on American Romanticism Foreign literary masters, especially the English counterparts exerted a stimulating impact on the writers of the new world. Born of one common cultural heritage, the American writers shared some common features with the English Romanticists. They revolted against the literary forms and ideas of the period of classicism by developing some relatively new forms of fiction or poetry. (1) They put emphasis upon the imaginative and emotional qualities of literature, which included a liking for the picturesque, the exotic, the sensuous, the sensational, and the supernatural. (2) The Americans also placed an increasing emphasis on the free expression of emotions and disp1ayed an increasing attention to the psychic states of their characters. Heroes and heroines exhibited extremes of sensitivity and excitement. (3) The strong tendency to exalt the individual and the common man was almost a national religion in America. Writers like Freneau, Bryant, and Cooper showed a great interest in external nature in their respective works. (4) The literary use of the more colorfu1 aspects of the past was also to be found in Irving’s effort to exploit the legends of the Hudson River region, and in Cooper’s long series of historical tales. (5) In short, American Romanticism is, in a certain way, derivative. 2.The unique characteristics of American Romanticism Although greatly influenced by their English counterparts, the American romantic writers revealed unique characteristics of their own in their works and they grew on the native lands. For examp1e,(1) the American national experience of "pioneering into the west" proved to be a rich source of material for American writers to draw upon. They celebrated America''''''''s landscape with its virgin forests, meadows, groves, endless prairies, streams, and vast oceans. The wilderness came to function almost as a dramatic character that symbolized moral 1aw. (2)The desire for an escape from society and a return to nature became a permanent convention of American literature. Such a desire is particularly evident in Cooper’s Leather Stocking Tales, in Thoreau''''''''s Walden and, later, in Mark Twain’s Adventures of Huckleberry Finn. (3) With the growth of American national consciousness, American character types speaking local dialects appeared in poetry and fiction with increasing frequency. (4) Then the American Puritanism as a cultural heritage exerted great influences over American moral values and American Romanticism. One of the manifestations is the fact that American romantic writers tended more to moralize than their English and European counterparts. (5) Besides, a preoccupation with the Calvinistic view of origina1 sin and the mystery of evil marked the works of Hawthorne, Melville and a host of lesser writers. (三)应用内容 1. The American Puritanism and its great influence over American moral values, as is shown in American romantic writings. (1) American Puritanism Puritanism is the practices and beliefs of the Puritans. (The Puritans were originally members of a division of the Protestant Church, who came into existence in the reigns Queen Elizabeth and King James Ⅰ。The first settlers who became the founding fathers of the American nation were quite a few of them Puritans. They came to America out of various reasons, but it should be remembered that they were a group of serious, religious people, advocating highly religious and moral principles. As the word itself hints, Puritans wanted to purify their religious beliefs and practices. They felt that the Church of England was too close to the Church of Rome in doctrine form of worship, and organization of authority.) The American Puritans, like their brothers back in England, were idealists, believing that the church should be restored to complete "purity". They accepted the doctrine of predestination, original sin and total depravity, and limited atonement through a special infusion of grace from God. But in the grim struggle for survival that followed immediately after their arrival in America, they became more and more practical, as indeed they had to be. Puritans were noted for a spirit of moral and religious earnestness that determinated their whole way of life. Puritans'''''''' lives were extremely disciplined and hard. They drove out of their settlements all those opinions that seemed dangerous to them, and history has criticized their actions. Yet in the persecution of what they considered error, the Puritans were no worse than many other movements in history. As a culture heritage, Puritanism did have a profound influence on the early American mind and American values. American Puritanism also had a conspicuously noticeable and an enduring influence on American literature. It had become, to some extent, so much a state of mind, so much a part of the national cultural atmosphere, rather than a set of tenets. (2) One of the manifestations is the fact that American romantic writers tended more to moralize than their English and European counterparts. Besides, a preoccupation with the Calvinistic view of origina1 sin and the mystery of evil marked the works of Hawthorne, Melville and a host of lesser writers. 2. New England Transcendentalism New England Transcendentalism is the mot clearly defined Romantic literary movement in this period. It was started in the area around Concord, Mass. by a group of intellectual and the literary men of the United States such as Emerson, Henry David Thoreau who were members of an informal club, i. e. the Transcendental Club in New England in the l830s. The transcendentalists reacted against the cold, rigid rationalism of Unitarianism in Boston. They adhered to an idealistic system of thought based on a belief in the essential unity of all creation , the innate goodness of man, and the supremacy of insight over logic and experience for the revelation of the deepest truths. The writings of the transcendentalists prepared the ground of their contemporaries such as Walt Whitman, Herman Melville, and Nathaniel Hawthorne. The main issues involved in the debate were generally philosophical, concerning nature, man and the universe. Basically, Transcendentalism has been defined philosophical1y as "the recognition in man of the capacity of knowing truth intuitively, or of attaining knowledge transcending the reach of the senses." Emerson once proclaimed in a speech, "Nothing is at last sacred but the integrity of your own mind." Other concepts that accompanied Transcendentalism inc1ude the idea that nature is ennobling and the idea that the individual is divine and, therefore, self-re1iant. 3. American Romanticists differed in their understanding of human nature. To the transcendentalists such as Emerson and Thoreau, man is divine in nature and therefore forever perfectible; but to Hawthorne and Melville, everybody is potentially a sinner, and great moral courage is therefore indispensab1e for the improvement of human nature, as is shown in Hawthorne’s The Scarlet Letter.

这科太难了,我考了两次才过.你买北大燕园的套题也许有用.

英美文学选读自考真题

下篇:美国文学 第一章美国浪漫主义时期 一、美国浪漫主义时期概述 Ⅰ。本章学习目的和要求 通过本章学习,了解19世纪初期至中叶美国文学产生的历史、文化背景;认识该时期文学创作的基本待征、基本主张,及其对同时代和后期美国文学的影响;了解该时期主要作家的文学创作生涯、创作思想、艺术特色及其代表作品的主题思想、人物刻画、语言风格等;同时结合注释,读懂所选作品并了解其思想内容和艺术特色,培养理解和欣赏文学作品的能力。 Ⅱ。本章重点及难点: 1.浪漫主义时期美国文学的特点 2.主要作家的创作思想、艺术特色及其代表作品的主题结构、人物刻画、语言风格、思想意义。 3.分析讨论选读作品 Ⅲ。本章考核知识点和考核要求: 1.美国浪漫主义时期概述 (1)“识记”内容:美国浪漫主义文学产生的社会历史及文化背景 (2)“领会”内容: 美国浪漫主义在文学上的表现 a.欧洲浪漫主义文学的影响 b.美国本土文学的崛起及其待证 (3)“应用”内容:清教主义、超验主义、象征主义、自由诗等名词的解释 2.美国浪漫主义时期的主要作家 A.华盛顿。欧文 1.一般识记:欧文的生平及创作主涯 2.识记:《纽约外史》《见闻札记》 3.领会:欧文的创作领域、创作思想,及其作品的艺术风格 4.应用:选读《瑞普。凡。温可尔》的主题及其艺术特色 B.拉尔夫.华尔多.爱默生 1.一般识记:爱默生的生平及创作生涯 2.识记:爱默生的超验主义思想 3.领会: (1)爱默生的散文:《论自然》《论自助》《论美国学者》等 (2)爱默生与梭罗:梭罗的超验主义思想和他的《沃尔登》 4. 应用:《论自然》节选:爱默生的基本哲 学思想及自然观 C.纳撒尼尔。霍桑 1.一般识记:霍桑的生平及创作主涯 2.识记:霍桑的长短篇小说 3.领会: (1)《红字》的主题、心理描写、象征手法和、小说结构 (2)霍桑的清教主义思想及加尔文教条中的“原罪”对霍桑的影响(人性本恶的观点) (3)霍桑对浪漫主义小说的贡献 4.应用:选读《小伙子布朗》的主题结构、象征手法及语言特色 D.华尔特。惠特曼 1.一般识记:惠特曼的生平及其创作生涯 2.识记:惠特曼的民主思想 3.领会: (1)惠特曼的《草叶集》的主创意图、思想感情及诗体形式、语言风格 (2)惠特曼的个人主义 4.应用:选读《草叶集》诗选:“一个孩子的成长”、“涉水的骑兵”、“自己之歌”的主题结构、诗歌的艺术特色、语言风格 E.赫尔曼。麦尔维尔 1.一般识记:麦尔维尔的生平及创作生涯 2.识记:麦尔维尔的早期作品:《玛地》《雷得本》《白外衣》,后期作品《皮埃尔》《的化装表演》《比利伯德》等 3.领会:《白鲸》的 (1)主题:表层及深层意义 (2)小说结构:浪漫主义和现实主义的统一 (3)象征手法和寓言的运用 (4)语言特色 4.应用:选读《白鲸》最后一章的节选:主题思想、人物刻画、象征手法、语言特色 Chapter l The Romantic Period (一)“识记”内容: 1.The origin of Romantic American literature The Romantic Period, one of the most important periods in thehistory of American literature, stretches from the end of the 18th century to the outbreak of the Civil War. It started with the publication of Washington Irving’s The Sketch Book and ended with Whitman’s Leaves of Grass. 2.The American Renaissance or New England Renaissance is a period of the great flowering of American literature, from the i830s roughly until the end of the American Civil War. It came of age as an expression of a national spirit. One of the most important influences in the period was that of the Transcendentalists, including Ralph Waldo Emerson, Henry David Thoreau. The Transcendentalists contributed to the founding of a new national culture based on native elements. Apart from the Transcendentalists, there emerged during this period great imaginative writers ——Nathaniel Hawthorne, Herman Melville, and Walt Whitman——whose novels and poetry left a permanent imprint on American literature. 3.Its social historical and cultural background The development of the American society nurtured "the literature of a great nation." America was flourishing into a politically, economically and culturally independent country. Historically, it was the time of westward expansion in America economically, the whole nation was experiencing an industrial transformation. Politically, democracy and equa1ity became the ideal of the new nation, and the two-party system came into being. Worthy of mention is the literary and cultural life of the country. With the founding of the American Independent Government, the nation felt an urge to have its own literary expression, to make known its new experience that other nations did not have: the early Puritan settlement, the confrontation with the Indians, the frontiersmen''''''''s life, and the wild west. Besides, the nation’s literary milieu was ready for the Romantic movement as we11. Thus, with a strong sense of optimism, a spectacular outburst of romantic feeling was brought about in the first ha1f of the 19th century. 4.Major writers of this period There emerged a great host of men of letters during this period, among whom the better-known are poets such as Philip Freneau, William Cullen Bryant, Henry Wordsworth Long Fellow, James Russel Lowell, John Greenleaf Whitter, Edgar Ellen Poe, and, especially, Walt Whitman, whose Leaves Of Grass established him as the most popular American poet of the 19th century. The fiction of the American Romantic period is an original and diverse body of work. It ranges from the comic fables of Washington Irving to the The Gothic tales of Edgar Allen Poe, from the frontier adventures of James Fenimore Cooper to the narrative quests of Herman Melville, from the psycho1ogical romances of Nathaniel Hawthorne to the social realism of Rebecca Harding Davis. (二)领会内容 1.The impact of European Romanticism on American Romanticism Foreign literary masters, especially the English counterparts exerted a stimulating impact on the writers of the new world. Born of one common cultural heritage, the American writers shared some common features with the English Romanticists. They revolted against the literary forms and ideas of the period of classicism by developing some relatively new forms of fiction or poetry. (1) They put emphasis upon the imaginative and emotional qualities of literature, which included a liking for the picturesque, the exotic, the sensuous, the sensational, and the supernatural. (2) The Americans also placed an increasing emphasis on the free expression of emotions and disp1ayed an increasing attention to the psychic states of their characters. Heroes and heroines exhibited extremes of sensitivity and excitement. (3) The strong tendency to exalt the individual and the common man was almost a national religion in America. Writers like Freneau, Bryant, and Cooper showed a great interest in external nature in their respective works. (4) The literary use of the more colorfu1 aspects of the past was also to be found in Irving’s effort to exploit the legends of the Hudson River region, and in Cooper’s long series of historical tales. (5) In short, American Romanticism is, in a certain way, derivative. 2.The unique characteristics of American Romanticism Although greatly influenced by their English counterparts, the American romantic writers revealed unique characteristics of their own in their works and they grew on the native lands. For examp1e,(1) the American national experience of "pioneering into the west" proved to be a rich source of material for American writers to draw upon. They celebrated America''''''''s landscape with its virgin forests, meadows, groves, endless prairies, streams, and vast oceans. The wilderness came to function almost as a dramatic character that symbolized moral 1aw. (2)The desire for an escape from society and a return to nature became a permanent convention of American literature. Such a desire is particularly evident in Cooper’s Leather Stocking Tales, in Thoreau''''''''s Walden and, later, in Mark Twain’s Adventures of Huckleberry Finn. (3) With the growth of American national consciousness, American character types speaking local dialects appeared in poetry and fiction with increasing frequency. (4) Then the American Puritanism as a cultural heritage exerted great influences over American moral values and American Romanticism. One of the manifestations is the fact that American romantic writers tended more to moralize than their English and European counterparts. (5) Besides, a preoccupation with the Calvinistic view of origina1 sin and the mystery of evil marked the works of Hawthorne, Melville and a host of lesser writers. (三)应用内容 1. The American Puritanism and its great influence over American moral values, as is shown in American romantic writings. (1) American Puritanism Puritanism is the practices and beliefs of the Puritans. (The Puritans were originally members of a division of the Protestant Church, who came into existence in the reigns Queen Elizabeth and King James Ⅰ。The first settlers who became the founding fathers of the American nation were quite a few of them Puritans. They came to America out of various reasons, but it should be remembered that they were a group of serious, religious people, advocating highly religious and moral principles. As the word itself hints, Puritans wanted to purify their religious beliefs and practices. They felt that the Church of England was too close to the Church of Rome in doctrine form of worship, and organization of authority.) The American Puritans, like their brothers back in England, were idealists, believing that the church should be restored to complete "purity". They accepted the doctrine of predestination, original sin and total depravity, and limited atonement through a special infusion of grace from God. But in the grim struggle for survival that followed immediately after their arrival in America, they became more and more practical, as indeed they had to be. Puritans were noted for a spirit of moral and religious earnestness that determinated their whole way of life. Puritans'''''''' lives were extremely disciplined and hard. They drove out of their settlements all those opinions that seemed dangerous to them, and history has criticized their actions. Yet in the persecution of what they considered error, the Puritans were no worse than many other movements in history. As a culture heritage, Puritanism did have a profound influence on the early American mind and American values. American Puritanism also had a conspicuously noticeable and an enduring influence on American literature. It had become, to some extent, so much a state of mind, so much a part of the national cultural atmosphere, rather than a set of tenets. (2) One of the manifestations is the fact that American romantic writers tended more to moralize than their English and European counterparts. Besides, a preoccupation with the Calvinistic view of origina1 sin and the mystery of evil marked the works of Hawthorne, Melville and a host of lesser writers. 2. New England Transcendentalism New England Transcendentalism is the mot clearly defined Romantic literary movement in this period. It was started in the area around Concord, Mass. by a group of intellectual and the literary men of the United States such as Emerson, Henry David Thoreau who were members of an informal club, i. e. the Transcendental Club in New England in the l830s. The transcendentalists reacted against the cold, rigid rationalism of Unitarianism in Boston. They adhered to an idealistic system of thought based on a belief in the essential unity of all creation , the innate goodness of man, and the supremacy of insight over logic and experience for the revelation of the deepest truths. The writings of the transcendentalists prepared the ground of their contemporaries such as Walt Whitman, Herman Melville, and Nathaniel Hawthorne. The main issues involved in the debate were generally philosophical, concerning nature, man and the universe. Basically, Transcendentalism has been defined philosophical1y as "the recognition in man of the capacity of knowing truth intuitively, or of attaining knowledge transcending the reach of the senses." Emerson once proclaimed in a speech, "Nothing is at last sacred but the integrity of your own mind." Other concepts that accompanied Transcendentalism inc1ude the idea that nature is ennobling and the idea that the individual is divine and, therefore, self-re1iant. 3. American Romanticists differed in their understanding of human nature. To the transcendentalists such as Emerson and Thoreau, man is divine in nature and therefore forever perfectible; but to Hawthorne and Melville, everybody is potentially a sinner, and great moral courage is therefore indispensab1e for the improvement of human nature, as is shown in Hawthorne’s The Scarlet Letter.

The major writers of the Modern Period Ⅰ。Ezra Pound (1885-1972) 一。 一般识记 Ezra Pound's contribution to American literature: Pound was one of the most important poets and critics of his time and he was regarded as the father of modern American poetry. He is a leading spokesman of the "Imagist Movement", which though short-lived, had a tremendous influence on modern poetry. 二。 识记 His major works: Pound composed poems, wrote criticisms and did translations. (1) His poetic works: In 1915 Pound began writing his great work, The Cantos, which spanned from 1917 to 1959 and were collected in The Cantos of Ezra Pound (1986)。 He joined a famous literary salon run by an American woman writer Gertrude Stein, and became involved in the experimentations on poetry. His other poetic works include twelve volumes of verse Collected Early Poems of Ezra Pound (1982), and Personae (1909), and some longer pieces such as Hugh Selwyn Mauberley (1920)。 (2) His critical essays: Make It New (l934), Literary Essays (l954), The ABC of Reading (1934) and Polite Essays (l937), etc. These essays best reflect Pound's appraisals of literary traditions and of modern writing. (3) His translations: The Translations of Ezra Pound (1953), Confucius (1969), and Shih-Ching (1954) These translations have not only cast light on Pound's affinity to the Chinese and his strenuous effort in the study of Oriental literature, but also offered us a clue to the understanding of his poetry and literary theory. From the analysis of the Chinese ideogram Pound learned to anchor his poetic language in concrete, perceptual reality, and to organize images into larger patterns through juxtoposition. 三。 领会 1. Ezra Pound's poetic subjects or themes: (1) His earlier poetry is saturated with the familiar poetic subjects that characterize the 19th century Romanticism: songs in praise of a lady, songs concerning the poet's craft, love and friendship, death, the transience of beauty and the permanence of art, and some other subjects that Pound could call his own: the pain of exile, metamorphosis, the delightful psychic experience, the ecstatic moment, etc. (2) Later he is more concerned about the problems of the modern culture: the contemporary cultural decay and the possible sources of cultural renewal as well. In The Cantos, Pound traces the rise and fall of eastern and western empires, the moral and social chaos of the modern world, especially the corruption of America after the heroic time of Jefferson. From the perception of these things, stems the poet's search for order, which involves a search for the principles on which the poet's craft is based. 2. His artistic achievment: (1) He is the leader of the Imagist Movement: Led by the American poet Ezra Pound, Imagist Movement is a poetic movement that flourished in the U.S. and England between 1909-1917. It advances modernism in arts which concentrated on reforming the medium of poetry as opposed to Romanticism, especially Tennyson's wordiness and high-flown language in poetry. Pound endorsed three main principles as guidelines for Imagism, including direct treatment of poetic subjects, elimination of merely ornamental or superfluous words, and rhythmical composition in the sequence of the musical phrase rather than in the sequence of a metronome. The primary Imagist objective is to avoid rhetoric and moralizing, to stick closely to the object or experience being described, and to move from explicit generalization. The leading poets are Ezra Pound, Wallace Stevens, D.H.Lawrence, etc. Pound's famous one-image poem "In a Station of the Metro" would serve as a typical example of the Imagist ideas. (2) His use of myth and personae: Pound argued that the poet cannot relate a delightful psychic experience by speaking out directly in the first person: he must "screen himself" and speak indirectly through as impersonal and objective story, which is usually a myth or a piece of the earlier literature, or a "mask," that is a persona. In this way, Pound could sustain a dialogue between past and present succesfully. (persona: It is an invented person; a character in drama or fiction. Persona, a Latin word meaning "mask ," is used in Jungian psychology to refer to one's "public personality"-the facade or mask presented to the world but not representative of inner feelings and emotions. In literary criticism, persona is sometimes used to refer to a person figuring in, for example, a poem, someone who may or may not represent the author himself. ) (3) His language: His lines are usually oblique yet marvelously compressed. His poetry is dense with personal, literary, and historical allusions, but at the expense of syntax and summary statements. 四。应用:Selected Readings: 1. In a Station of the Metro (1) Theme: This poem is an observation of the poet of the human faces seen in a Paris subway station or a description of a moment of sudden emotion at seeing beautiful faces in a Metro in Paris. He sees the faces, turned variously toward light and darkness, like flower petals which are half absorbed by, half resisting, the wet, dark texture of a bough. (2) The one image in this poem: This poem is probably the most famous of all imagist poems. In two lines it combines a sharp visual image or two juxtoposed images (意象叠加) "Petals on a wet, black bough" with an implied meaning. The faces in the dim light of the Metro suggest both the impersonality and haste of city life and the greater transience of human life itself. The word "apparition" is a well-chosen one which has a two-fold meaning: Firstly, it means a visible appearance of something real. Secondly, it builds an image of a ghostly sight, a delusive and unexpected appearance. (3) Pound uses the fewest possible words to convey an accurate image, which is the principle of the Imagist poetry. This poem looks to be a modern adoption of the haiku form of Japanese poetry which adapts the 3-line, 17 syllable and where the title is an intergral part of the whole. The poem succeeds largely because of its internal rhymes: station/apparition; Metro/petals/wet; crowd/bough. Its form was determined by the experience that inspired it, involving organically rather than being chosen arbitrarily. 2. The River-Merchant's Wife: A Letter (1) Theme: It is an adaptation from the Chinese Li Po (701-762) named Rihaku in Japanese, which, by means of vivid images and shifting tones, describes the silky shy tenderness of the young wife writing to her absent husband the river-merchant. The history of her feelings for her husband develops as the following: her bashfulness when she was a young girl, her spiritual affinity with him during the phase of their marriage, the material nature of her love at the time of his departure as well as her longing for his return when she grows old. (2) use of images and allusion: In this poem Pound uses images such as "hair" "grown moss" "falling leaves" to suggest the passing years and growing age. Besides, Pound employs an allusion to "a story of a woman waiting for her husband on a hill." In Pound's version, the line emphasizes the otherworldly nature of her love during her marriage. 3. A Pact This poem is about Pound's evaluation on Whitman. Pound started to find some agreement between "Whitmanesque" free verse, which he had attacked for its carelessness in composition, and the "verse libre" of the Imagists who showed more concern for formal values. In the poem Pound affirmed Whitman's contribution in the experiment on the form and content of American poetry and expressed his eagerness to communicate with Whitman…… Ⅱ。 Robert Lee Frost (l874-l963) 一。 一般识记 His life and writing: Frost is an important poet in the 20th century .He won the Pulitzer Prize four times and read poetry at the inauguration of President John F. Kennedy in 1961. He spent his early childhood in the Far West and later the family moved to New Hampshire. He went to Harvard but left in the middle because of his tuberculosis. When he was 28, he began to venture on writing. 二。 识记 His major works: His first book A Boy's Will (1913), whose lyrics trace a boy's development from self-centered idealism to maturity, is marked by an intense but restrained emotion and the characteristic flavor of New Eng1and life. His second book, a volume of poems North of Boston (1914), is described by the author as "a book of people," which shows a brilliant insight into New England character and the background that formed it. Many of his major poems are collected in this volume, such as "Mending the Wall," in which Frost saw man as learning from nature the zones of his own 1imitations, and "Home Buria1," which probes the darker corners of individual lives in a situation where man cannot accept the facts of his condition. Mountain Interval (19l6) contains such characteristic poems as "The Road Not Taken," "Birches". New Hampshire (1923) that won Frost the first of four Pulitzer Prizes includes "Stopping by Woods on a Snowy Evening", which stems from the ambiguity of the speaker's choice between safety and the unknown. The collection West-Running Brook (1928) poses disturbing uncertainties about man's prowess and importance. Collected Poems (l930) and A Further Range (1935) gathered Frost's second and third Pulitzer Prizes. Both translate modern upheaval into poetic materia1 the poet could skillfully control. Frost's fourth Pulitzer Prize was awarded for A Witness Tree (l942) which includes "The Gift Outright," the poem he later recited at President Kennedy's inauguration. Frost took up a religious question most notably in "After Apple-Picking:" can a man's best efforts ever satisfy God? A Masque of Reason (l945) and A Masque of Mercy (1947) are comic-serious dramatic narratives, in both of which biblical characters in modern settings discuss ethics and man's re1ations to God. 三。 领会 1. His thematic concerns: (1) Generally Frost is considered a regional poet whose subject matters mainly focus on the landscape and people in New England. These thematic concerns include the terror and tragedy in nature, as well as its beauty, and the 1oneliness and poverty of the isolated human being. But first and foremost Frost is concerned with his love of life and his belief in a serenity that only came from working usefully, which he practiced himself throughout his life. (2) Frost wrote many poems that investigate the basic themes of man's life: the individual's relationships to himself, to his fellow-man, to world, and to his God. Profound meanings are hidden underneath the plain language and simple form. His poetry, by using nature as a storehouse of analogy and symbol, often probes mysteries of darkness and irrationality in the bleak and chaotic landscapes of an indifferent universe when men stand alone, unaided and perplexed. 2. His nature poems: Robert Frost is mainly known for his poems concerning New England life. He learned from the tradition, especially the familiar conventions of nature poetry and of classical pastoral poetry, and made the colloquial New England speech into a poetic expression. A poem so conceived thus becomes a symbo1 or metaphor, a careful, loving exploration of reality, in Frost's version, "a momentary stay against confusion." Many of his poems are fragrant with natural quality. Images and metaphors in his poems are drawn from the rural world, the simple country 1ife and the pastoral 1andscape. However, profound ideas are delivered under the disguise of the p1ain language and the simple form, for what Frost did is to take symbols from the limited human world and the pastoral landscape to refer to the great world beyond the rustic scene. These thematic concerns include the terror and tragedy in nature, as well as its beauty, and the 1oneliness and poverty of the isolated human being. But first and foremost Frost is concerned with his love of life and his belief in a serenity that only came from working usefully, which he practiced himself throughout his life. 3. Frost's style in language: By using simple spoken language and conversational rhythms, Frost achieved an effortless grace in his style. He combined traditiona1 verse forms —— the sonnet, rhyming coup1ets, blank verse with a clear American local speech rhythm, the speech of New England farmers with its idiosyncratic diction and syntax. In verse form he was assorted; he wrote in both the metrical forms and the free verse, and sometimes he wrote in a form that borrows freely from the merits of both, in a form that might be called semi-free or semi-conventional. 四。 应用 Selected Readings: l. After Apple-Picking This poem is so vivid a memory of experience on the farm in which the end of labor leaves the speaker with a sense of completion and fulfilment yet finds him blocked from success by winter's approach and physical weariness. On the one hand, Frost expressed his love of life and his belief in a serenity that only came from working usefully. On the other hand, the poet was concerned with individual's relationships to himself, to his fellow-man, to world, and to his God. He took up a religious question: can a man's best efforts ever satisfy God? Besides this is a typical lyric poem describing the pastoral landscape in New England. Symbols and images from the pastoral landscape to refer to the great world beyond the rustic scene. The language of this poem is characterized by simple spoken language and conversational rhythms, the combination of traditiona1 verse forms —— the sonnet, rhyming coup1ets, blank verse with the speech of New England farmers with its idiosyncratic diction and syntax. Frost wrote in both the metrical forms and the free verse, in a form that might be called semi-free or semi-conventional. 2. The Road Not Taken (1) The theme: This poem seems to be about the poet, walking in the woods in autumn, hesitating for a long time and wondering which road he should take since they are both pretty. In reality, this is a meditative poem symbolically written. It concerns the important decisions which one must take in the course of life, when one must give up one desirable thing in order to possess another. Then, whatever the outcome, one must accept the consequences of one's choice for it is not possible to go back and have another chance to choose differently. In the poem, he followed the one which was not frequently travelled by. Symbolically, he chose to follow an unusual, solitary life; perhaps he was speaking of his choice to become a poet rather than some common profession. But he always remembered the road which he might have taken, and which would have given him a different kind of life. (2) Language: This poem is written in classic five-line stanzas, with the rhyme scheme a-b-a-a-b and conversational rhythm. The poet uses "the road " to symbolize life's journey. 3. Stopping by Woods on a Snowy Evening (1) The theme: This is a deceptively simple poem in which the speaker literally stops his horse in the winter twilight to observe the beauty of the forest scene, and then is moved to continue his journey. Philosophically and symbolically, it stems from the ambiguity of the speaker's choice between safety and the unknown. (2) This poem suggests deep thought about death and about life. The strange attraction of death to man is symbolized by the dark woods silently filled up with the coldness of snow. Frost frequently uses the technique of symbolism in his poetry. Some critics think that the "village" stands for the human world, "woods" for nature, "horse" for the animal world, and "promises" for obligations. The poem represents a moment of relaxation from the burdensome journey of life, an almost aesthetic enjoyment and appreciation of natural beauty which is wholesome and restorative against the chaotic existence of modern man. (3) The last stanza shows a kind of sad, sentimental but also strong and responsible feeling. The attraction of the beauty of the nature makes the speaker stop in the journey. He finally turns away from it, with a certain weariness and yet with quiet determination, to face the needs of life. This stresses the central conflict of the poem between man's enjoyment of nature's beauty and his responsibility in society. This shows a man's despairing courage to seek out the meaning of life. In the last stanza, the three adjectives "lovely" "dark" "deep" reinforce one another. Not only do they represent beauty and terror of nature symbolized by the dark woods, but they also reveal the speaker's love for nature and human isolation from it. Besides, the word "sleep" here means "die" symbolically.

Chapter 3 The Modern Period Ⅰ。本章学习目的和要求 通过本章的学习,了解20世纪初期至中叶美国现代文学产生 的历史、文化背景,认识该时期文学创作的基本特征、基本主张,及其对当代美国文学发展的影响;了解该时期主要作家的文学生涯、创作意图、艺术特色及其代表作品的主题结构、人物刻画和语言风格等;同时结合注释,读懂所选作品,了解其思想内容和写作特色,培养理解和欣赏文学作品的能力。 Ⅱ。本章重点及难点 1. 美国现代文学的特征 2. 主要作家的创作思想、艺术特色及其代表作品的主题结构、人物刻画和语言风格 3. 名词解释:“迷惘的一代”,意象派诗歌,象征主义,表现主义,意识流 4. 选读作品的主题结构、艺术特色、人物刻画和语言风格 Ⅲ。 考核知识点和考核要求 (一)现代时期美国文学概述 1. 识记: A.两次世界大战期间美国文学产生的历史及文化背景 (1)两次世界大战 (2)移居国外的美国人 (3)马克思主义理论和弗洛伊德学说 (4)欧洲现代派艺术 B.战后美国文学产生的历史及文化背景 2. 领会: A. 两次世界大战期间的美国文学 (1)诗歌:意象派诗人;象征主义 (2)小说;“迷恫的一代” (3)戏剧:表现主义 B.战后美国文学 (1)诗歌:“垮掉的一代”等 (2)小说:黑人小说、*人小说、实验小说(荒诞派 小说)等 (3)美国现代文学多元化的现象 C.美国现代文学写作手法的创新 3.应用 A.名词解释:“迷惘的一代”,意象派诗歌,象征主义,表现主义,意识流 B.“荒原”意识在美国20世纪文学中的反映 C.分析选读作品的主题结构、艺术特色、人物刻画和语言风格 (二)美国现代时期的主要作家 A.埃兹拉。庞德 1.一般识记:庞德的生平和创作生涯 2.识记:庞德的诗歌 (1)短诗:《地铁站一瞥》 (2)长诗:《诗章》 3. 领会: (1)庞德与意象主义 (2)庞德与中国文化 (3)庞德的诗歌理论及艺术特色 4.应用:《地铁站一瞥》《盟约》《河商的妻子》:主题、意象、语言 B.罗伯特。弗洛斯特 1.一般识记:弗洛斯特的生平及创作生涯 2.识记:弗洛斯特的诗歌:田园诗;自然诗 3.领会: (1)弗洛斯特诗歌的艺术特色 (2)弗洛斯特的诗论 4.应用: (1) 弗洛斯特的自然诗 (2)《摘苹果后》《未选择的路》《雪夜停马在林边》:主题、 象征与比喻、语言 C.尤金。奥尼尔 1.一般识记:奥尼尔的生平及创作生涯 2.识记:奥尼尔的戏剧 (1)早期作品:独幕剧;多幕剧《天外边》 (2)中期作品:《琼斯皇帝》《伟大之神布朗》《毛猿》 ——表现主义和象征主义的力作 (3)后期作品:《直到夜晚的漫长一天》 一 自传体戏剧 剧 3.领会: (1)奥尼尔戏剧的悲观主义和神秘主义色彩 (2)奥尼尔戏剧的艺术特色 4.应用:选读《毛猿》第八场:主题结构、表现主义和象征主义手 法、语言特色 D.司各特。菲兹杰拉德 1.一般识记:菲兹杰拉德的生平及创作生涯 2.识记: (1)菲兹杰拉德与“爵士时代” (2)主要作品:短篇小说集:《爵士时代的故事》 中、长篇小说:《人间天堂》《了不起的盖茨比》《夜色温柔》《最后一个巨头》 3.领会: (1)《了不起的盖茨比》与“美国梦” (2)菲兹杰拉德的小说艺术 4.应用:《了不起的盖茨比》第三章:主题结构、人物刻画、语言风格 E.欧内斯特。海明威 1.一般识记:海明威的生平及创作生涯 2.识记:海明威的主要作品 (1)短篇小说集:《在我们的时代里》-一涅克的故事 (2)长篇小说:《太阳照样升起》《永别了,武器》《丧钟为谁而鸣》《老人与海》 3.领会:海明威与“迷惘的一代” 4.应用: (1)海明威小说的艺术特色:“硬汉”形象、“重压下的风 度”、“冰山”原则等 (2)《在我们的时代里》选篇:主题结构、人物刻画、语言 风格 F.威廉。福克纳 1.一般识记: 福克纳的生平及创作生涯 2.识记: (l)福克纳的主要作品:中、短篇小说:《给艾米莉小姐的玫瑰》《老人》《熊》等;长篇小说:《喧嚣与骚动》 《八月之光》《我弥留之际》《押沙龙,押沙龙!》 (2)福克纳的“约克纳帕塔法”神话王国 3.领会: (1)福克纳小说的艺术特色:“意识流”、“内心独白”、“时序颠倒”、“对位式结构”、“象征隐喻”等 (2)福克纳的文体 (3)福克纳与美国南方文学 4.应用:《给艾米莉小姐的玫瑰》:主题结构、人物刻画、语言风格

美国文学选读10101自考真题

今天教务老师给大家收集整理了高级英语自考本科教材,自考本科高级英语怎么备考的相关问题解答,还有免费的自考历年真题及自考复习重点资料下载哦,以下是全国我们为自考生们整理的一些回答,希望对你考试有帮助!请问南师大英语本科自考英语泛读用什么教材的?全新正版27036高级英语阅读教程英语泛读江苏自考教材21世纪英语专业系列教程自学考试英语专业本科指定教材高级英语阅读教程下作者:康文凯出版社:上海交通大学出版社出版日期:2004-4-5定价:28元【内容简介】《高级英语阅读教程》分上中下三册,共精选短文96篇,内容涉及中西文化、语言、教育、生活、媒介、历史、妇女问题、科技、人性、哲学、文学等,每册按主题分为16个单元,每个单元配有与学习内容相关的阅读理解、词义辨析、句子释义以及修辞等练习和思考题。该教程为英语专业高年级学生设计,也可用作大学英语研究生和本科生选修课教材或散文爱好者的读物。【目录信息】UnitOneTextAUniversitiesandTheirFunctionTextBTheCollegeIsforEveryoneCultUnitTwoTextAMotherTongueTextBDoctorTalkUnitThreeTextATheProblemofHappinessTextBMyFather’sLifeUnitFourTextARememberingtheFarmTextBMyWoodUnitFiveTextASpeakingofPicturesTextBTelevision:ThePlug-inDrugUnitSixTextAHowDoesaPoemMean?TextBReading:FromManyRulestoOneHabitUnitSevenTextAWomenTextBWomen’sBusinessUnitEightUnitNineUnitTenUnitElevenUnitTwelveUnitThirteenUnitFourteenUnitFifteenUnitSixteenReferenceKeytotheExercises2010广东省自考英语教育本科教材有哪些?课程代码课程名称使用教材作者出版社版次8469高级英语(一)(B)新编英语教程(5册)李观仪上海外语教育出版社2003.38470高级英语(二)(B)新编英语教程(5、6册)李观仪上海外语教育出版社2004.18266翻译翻译新概念英汉互译实用教程宋天锡国防工业出版社2008重印第四版8268英语词汇学现代英语词汇学概论张韵裴北京师范大学出版社20048269英语语言学新编简明英语语言学教程戴炜栋、何兆熊上海外语教育出版社2002年7月第1版8475英美报刊选读英美报刊阅读教程端木义万南京大学出版社第二版8476英国文学选读英国文学史及选读吴伟仁外语教学与研究出版社19888478英语论文写作英语写作手册丁往道等外语教学与研究1994.6第二版8477美国文学选读美国文学史及选读吴伟仁外语教学与研究出版社19908479中学英语教学法英语教学法基础何广铿暨南大学出版社20018480外语教学心理学外语教学心理学朱纯上海外语教育出版社1994.98473第二外语《中日交流标准日本语》初级上、下册人民教育/日本光村人民教育/日本光村合作出版19888474第二外语简明法语教程(上下册)孙辉商务印书馆0012英语大学英语自学教程(上册)高远高等教育出版社1999年版8447基础英语新编英语教程[修订本](1、2册)李观仪上海外语教育出版社19988448基础英语新编英语教程[修订本](3册)李观仪上海外语教育出版社19998449基础英语新编英语教程[修订本](4册)李观仪上海外语教育出版社19998450英语阅读新编英语阅读教程(1-3册)王守仁.赵文书上海外语教育出版社自考英语本科中的《高级英语》比较难,该怎样复习才能通过考试呀?自?高级英语在英语本科中不是很难的,关键是要多看书,一般应该看3遍。有很多题目是书上的东西,没有什么窍门,只有去看透教材。另外,不要把希望寄托在一些复习材料上,北大燕园什么的用处都不大。以前的真题应该做一遍。当然,你参加英语自考,应该有很好的英语基础,我就不多说怎样学习英语了,呵呵。今年自考会计本科的教材?新华书店。大型书市。中职学校书店。淘宝网。自考/成考有疑问、不知道自考/成考考点内容、不清楚当地自考/成考政策,点击底部咨询官网老师,免费领取复习资料:

教务老师,听见很多自考的同学在问自考英语本科有几门(自考英语本科先考哪门好一点)相关问题,那么今天教务老师来告诉同学们这些问题的解答!自考本科英语专业要考几门?分别是那几门,英语专业是不是考过率蛮低的?自考本科英语必考课程13门,共65学分;选考课程3门,共19学分;加考课程6门,共35学分;自考本科考试科目:高级英语高级英语(二)英语语言学英语词汇学英语高级听力英美报刊选读英国文学选读美国文学选读英语论文写作中学英语教学法外语教学心理学第二外语(日语)第二外语(法语)英语基础英语(一)基础英语(二)基础英语(三)英语阅读对于好好学习天天向上的自考生来说通过率就是比较高的。希望能对您有所帮助自考本科英语专业考哪几科啊?中国近现代史纲要、马克思主义基本原理概论、英语翻译、高级英语、口译与听力(实践)、英语写作、英美文学选读、现代语言学、英语经贸知识、旅游英语选读、第二外语(俄语)、第二外语(日语)、毕业论文。自考本科英语的开考科目因所在省份及主考院校的不同也有所不同。希望回答能够帮助你你也可以追问广州自考英语本科有哪些科目以上就是全国地区自考教材服务网分享关于自考英语本科有几门(自考英语本科先考哪门好一点)的全部内容,更多自考教材和自考历年真题及答案,自考视频网课,自考教材购买首页搜索科目代码即可,也可以咨询在线客服!自考/成考有疑问、不知道自考/成考考点内容、不清楚当地自考/成考政策,点击底部咨询官网老师,免费领取复习资料:

自学考试英语学习方法:需要平时积累单词及语法词汇、多做真题、多做模拟练习题、还有要有周期性的多做几篇同一套试卷。 自考英语本科要考哪些科目? 1.自考本科英语专业必考课程:高级英语(一)、高级英语(二)、翻译、英语语言学、英语词汇学、英语高级听力、英美报刊选读、英国文学选读、美国文学选读、英语论文写作、中学英语教学法(小教)、外语教学心理学、毕业论文。 2.自考本科英语专业选考课程:第二外语(日语)、第二外语(法语)、英语(一)。 3.自考本科英语专业加考课程:基础英语(一)、基础英语(二)、基础英语(三)、英语阅读(一)、英语听力、英语口语。 4.必考课程是考生必须考的课程,选考课程考生可以从中任选择一门,加考课程非英语、中英文秘书、英语教育专业专科毕业生可直接报考本专业;其它专业考生都需要加考。 自学考试英语复习技巧 自考以自学的方式为主,那么怎么学习英语才能得高分呢,英语考试的重点在于语法,而且英语考的是平时积累,积累词汇对提升英语考试很重要的。 1、在复习的同时还需要积累一些课外知识,能提高阅读理解解题能力; 2、同时要多做真题,真题的含金量很大,考生可以通过历年真题官网报道,考试重点和题型分布。 3、对于以前做过的题目,不妨回头再做,有的题隔一段时间再做,可以加强复习效果。 4、另外在做真题的同时,还要选择一些适合的模拟题来做,通过做题要掌握解题技巧,摸清出题思路,达到熟能生巧。自考/成考有疑问、不知道如何总结自考/成考考点内容、不清楚自考/成考报名当地政策,点击底部咨询官网,免费领取复习资料:

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